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As we learned earlier, finding proxemic and relevant information and examples is typically a good way to be engaging. The basic information may not change quickly, but the way people use it and the way it relates to our lives changes. Finding current, relevant examples and finding novel information are both difficult, since you, as the researcher, probably dont know this information exists. Here is where good research skills become necessary to be a good informative speaker. Using advice from Chapter 9 Preparing a Speech should help you begin to navigate through the seas of information to find hidden treasure that excites you and will in turn excite your audience. To avoid boring an audience, effective informative speakers possess good research skills and the ability to translate information to be engaging and relevant for an audience.



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But cooking also destroys valuable nutrients. This method is not advised unless it's the only thing available at the moment. Supplementing a fish that contains thiaminase with thiamine is not an acceptable remedy to the situation, seeing as it is unknown what levels of Thiamine are safe/unsafe, as well as how much is needed to overcome the potent effects of thiaminase. There are better options out there. Alewife Alosa pseudoharengus Anchovies Anchoa hepsetus Anchovies Engraulis mordax Bass white Lepibema chrysops Black quahog Artica islandica Bowfin dogfish Amia calva Bream Abramis brama Buckeye shiner Notropus atherionoides Buffalofish Ictiobus cyprinellus Bull Head Ameirurus m. melas Burbot Lota lota maculosa Burbot Lota lota Butterfish Poronotus triacanthus Carp Cyprinus carpio Catfish channel Ictalurus laccustris punctatus Clams chowder, steamer, cherrystone Fathead minnow Primephales p. promelas Garfish garpike Goldfish Carassius auratus Herring Baltic Clupea harengus var. membranus Herring Clupea harengus Lamprey adult Petromyzon marintus Mackerel Scomber japonicas Pacific Menhaden Brecoortia tyrannus Menhaden large scale Brecoortia patronus Moray ell Gymnothorax ocellatus Mussel bigtoe Pluerobema cordatum Razor belly scaled sardine Harengula pensacolae Sauger Stizostedion c. canadense Scallop Placopecten grandis Sculpin Myooxocephalus quadricornis thompsonii Shad gizzard Dorosoma cepedianum Shiner spottail Notropis hudsonius Smelt freshwater Osmerus mordax Stoneroller central Campostoma anomalum pullum Sucker common white Catostomus c. commersonii White bass Lepimbema chrysops Whitefish Prosopium cylindraceum quadriaterale White fish Coregonus clupeaformis Ayu Plecoglossus altivelis Bass largemouth Huro salmoides Bass rock Ambloplites r. rupestris Bass smallmouth Micropterus d.



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And sure enough, there were his notices. This for an Ivor Novelloplay called I Lived With You:James Lloyd in Ivor Novellos own part as the Prince sailed through this terrific rolelike an old stager, His approach to the part and his understanding of thecomplex character he has to portray mark out Mr. Lloyd as an actor of quality. As well asknocking them cold in Eastbourne I did various rep seasons, some films andquite a bit of television, in shows like EmergencyWard Ten and No Hiding Place. Then I gotmy lucky break. I went along to audition for a show that was being put on bytwo big impresarios at that time George and Alfred Black. And after Id giventhem my Chorus from Henry V and a bitof Pinter they took me to one side and started asking me questions aboutcurrent affairs and politics which I thought a bit odd. But it turned outthat they were just about to open a new television station Tyne TeesTelevision in Newcastle, and they were desperately short of an announcer. Theyasked me if I would go up to Newcastle for a camera test. Now inthose days you didnt say no to George and Alfred Black, but the last thing Iwanted to do was go and live in Newcastle. So I went for the camera test anddid my best not to get it I was very offhand about the whole thing.



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He applied his creativity to every realm in which graphic representation is used: he was a painter, sculptor, architect, and engineer. But he went even beyond that. He used his superb intellect, unusual powers of observation, and mastery of the art of drawing to study nature itself, a line of inquiry that allowed his dual pursuits of art and science to flourish. Leonardos parents were unmarried at the time of his birth. His father, Ser Piero, was a Florentine notary and landlord, and his mother, Caterina, was a young peasant woman who shortly thereafter married an artisan. Leonardo grew up on his fathers familys estate, where he was treated as a legitimate son and received the usual elementary education of that day: reading, writing, and arithmetic. Leonardo did not seriously study Latin, the key language of traditional learning, until much later, when he acquired a working knowledge of it on his own. He also did not apply himself to higher mathematicsadvanced geometry and arithmeticuntil he was 30 years old, when he began to study it with diligent tenacity. Leonardos artistic inclinations must have appeared early. When he was about 15, his father, who enjoyed a high reputation in the Florence community, apprenticed him to artist Andrea del Verrocchio. In Verrocchios renowned workshop Leonardo received a multifaceted training that included painting and sculpture as well as the technical mechanical arts.

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